![]() ![]() ![]() Underlying much of this magical thinking were quantum mythologies suggesting that there were infinite dimensions one could interpolate oneself into through sheer thought alone. Elsewhere online, I began seeing angel numbers everywhere - recurrent 1s and 4s and 5s strung together, signifying variously, apparently, that my dreams or ambitions or whatever else I had long been pining after were on their way to becoming fully realized. On Instagram, my Explore Page was populated with pernicious aperçus such as “Your thoughts create your reality.” On YouTube, I would sift through video recommendations that took up how we, as a collective, were shifting and ascending from a 3D reality to a 5D consciousness. My algorithm was increasingly preoccupied with “manifesting” and “raising one’s higher vibrational frequencies,” offering up several new horizons of possibility in an unravelling world. Other idioms from this past year were less descriptive and more prescriptive, blithely grafted from New Age bric-a-brac. “New Normal” was one such euphemism, thick with inattention and irresponsibility, flatly and vacuously describing a year fractured by extreme precarity. Cambridge: Blackwell.A year subsumed by grief - mass death, fascist overtures - several phatic idioms emerged, hollowly and narrowly delineating our protracted and unfortunate global situation. Feminist practice and poststructural theory. International Journal of Politics, Culture, and Society, 28(3), 243–271. Crossing over with Tilda Swinton-the mistress of flat affect. Sandywell (Eds.), Interpreting visual culture: Explorations in the hermeneutics of the visual (pp. Specular grammar: The visual rhetoric of modernity. HBO’s Girls and our resentment toward privileged, white America. Cahill, (Eds.), Learning bodies: The body in youth and childhood studies (pp. Fuck your body image: Teen girls’ Twitter and Instagram feminism in and around school. Retallack, H., Ringrose, J., & Lawrence, E. European Journal of Cultural Studies, 16(3), 344–361. Neoliberal frames and genres of inequality: Recession-era chick flicks and male-centred corporate melodrama. ![]() Old wives’ tales: Feminist re-visions of film and other fiction. Exceptionalism’s exceptions: The changing American narrative. Erotic memoirs and postfeminism: The politics of pleasure. New femininities: Postfeminism, neoliberalism and subjectivity. Culture and subjectivity in neoliberal and postfeminist times. ![]() European Journal of Cultural Studies, 10(2), 147–166. Postfeminist media culture: Elements of a sensibility. Sex and the City: Carrie Bradshaw’s queer postfeminism. Postfeminism: Cultural texts and theories. Müller (Eds.), Postfeminism and contemporary Hollywood cinema (pp. Hell is a teenage girl? Postfeminism and contemporary teen horror. International Journal of Politics, Culture, and Society, 28(3), 179–281.įradley, M. Flat affect, joyful politics and enthralled attachments: Engaging with the work of Lauren Berlant. European Journal of Cultural Studies, 19(2), 119–133.ĭuschinsky, R., & Wilson, E. Consumption in the city: The turn to interiority in contemporary postfeminist television. Skeggs (Eds.), Transformations: Thinking through feminism (pp. Consumerism and compulsory individuality: Women, will and potential. Concentric: Literary and Cultural Studies, 36(1), 243–275.Ĭronin, A.M. Neoliberal self-governance and popular postfeminism in contemporary Anglo-American chick lit. The American narrative: Is there one and what is it? Daedalus, 141(1), 11–17.Ĭhen, E.Y. Durham: Duke University Press.īerlant, L. The female complaint: The unfinished business of sentimentality in American politics. Feminist Media Studies, 3(1), 83–98.īerlant, L. Sex and the city and consumer culture: Remediating postfeminist drama. Toward a new fantastic: Stop calling it science fiction. Durham: Duke University Press.Īndersen, J.A. ![]()
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